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Robert W. Chambers

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The author of the late-19th century short story collection The King In Yellow, upon which The Yellow Mythos has so much of its foundation.

This page adapted from the Wikipedia page for 'Robert W. Chambers'.
Robert William Chambers

Quote: "I have always liked to change, to experiment..."

Birth Date: May 26, 1865

Birth Place: Brooklyn, New York, USA

Death Date: December 16, 1933

Death Place: New York

Influences: Ambrose Bierce, George du Maurier?

Influenced: H. P. Lovecraft, August Derleth, James Blish, Robert Shea and Robert Anton Wilson, Marion Zimmer Bradley

Early LifeEdit

Robert William Chambers (May 26, 1865 - December 16, 1933) was an American artist and writer.

He was born in Brooklyn, New York, to William P. Chambers (1827 - 1911), a famous lawyer, and Caroline Chambers (née Boughton), a direct descendant of Roger Williams, the founder of Providence, Rhode Island. Robert's brother was Walter Boughton Chambers, the world-famous architect.

Robert was first educated at the the Brooklyn Polytechnic Institute,and then entered the Art Students League of New York at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the École des Beaux-Arts, and at Académie Julian, in Paris from 1886 to 1893, and his work was displayed at the Paris Salon as early as 1889.

CareerEdit

On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter (written in 1887 in Munich) and published in 1894. His most famous, and perhaps most meritorious, effort was published the following year: The King In Yellow, a collection of weird fiction short stories, connected by the theme of a book (to which the title refers) which drives those who read it insane. Chambers' fictitious drama within the book, also called The King in Yellow, features in Karl Edward Wagner's story The River of Night's Dreaming, while James Blish's story More Light purports to include much of the actual text of the play.

Chambers later turned to writing romantic fiction to earn a living. According to some estimates, Chambers was one of the most successful literary careers of his period, his later novels selling well and a handful achieving best-seller status. Many of his works were also serialized in magazines. After 1924 he devoted himself solely to writing historical fiction.

In reference perhaps to the fact that, despite creating one of the seminal works of weird fiction in The King In Yellow, Chambers did not pursue this genre in his later writing and instead concentrated on knocking out romances and historical stories, H. P. Lovecraft said of him: "Chambers is like... a few other fallen Titans – equipped with the right brains and education but wholly out of the habit of using them".

FamilyEdit

On July 12, 1898, he married Elsa Vaughn Moller (1882-1939). They had a son, Robert Edward Stuart Chambers (later calling himself Robert Husted Chambers) who also gained some fame as an author.

EpitaphEdit

He died in Broadalbin New York on December 16th 1933.

A critical essay on Chambers' work appears in S. T. Joshi's book The Evolution of the Weird Tale (2004).

Selected WorksEdit

  • In the Quarter (1894)
  • The King In Yellow (1895)
  • The Red Republic: A Romance of the Commune (1895)
  • The Maker of Moons (1896)
  • The Mystery of Choice (1896)
  • Lorraine (1897)
  • Ashes of Empire (1898)
  • Cardigan (1901)
  • In Search of the Unknown (1904)
  • The Reckoning (1905)
  • The Tracer of Lost Persons (1906)
  • The Tree of Heaven (1907)
  • The Green Mouse (1907)
  • The Common Law (1911)
  • The Gay Rebellion (1913)
  • Quick Action (1914)
  • Athalie (1915)
  • Police!!! (1915)
  • The Slayer of Souls (1920)
  • The Talkers (1923)
  • The Yellow Sign and Other Stories: The Complete Weird Tales of Robert W. Chambers (2001, ed. S. T.Joshi) – a collection of his horror and fantasy tales

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